The results:
Aljaž Vesel, Emsley
continuation of a corporate slab serif typefamily with an English flavor
Christin Bacher, Spoon
a linear sans serif, with large apertures and high x-height
Clara Wildberger, Kigeling
continuation of a light linear sans serif for acompaniing authors photographical work
Damian Langosz, Hazel
continuation of a humanist serif with a calligraphic character
Dedi Cohen, Bray
third try of a latin typeface created for acompaniing hebrew texts, where bilinguality is a necessity
Diana Ovezea, Untitled
A bodytext oriented continuation of a previously display typeface. But the principal idea remained the same. Every character still pedantically maintain the look of folded strips of paper. Soon to be released!
Denis Lelić, Noway
signange and corporate linear slab serif with additional pictograms
Katja Hasenohrl, Impala
a humanised linear sans serif for accompanying authors illustration works
Kurt Glänzer, Rosa
Serif bodytext for usage in books
Patrycja Zygoń, Zygoma
A serif typeface constructed on the golden ratio proportions
Rachel Treliving, Kink
A serif typeface for usage on rough uncoated paper
Samo Ačko, Bad News Sans Extreme
A fat cut of his large newspaper family. Soon to be released!
Tomato Košir, Rastignac Bold
bold continuation of his high contrast didone typefamily Rastignac
Verena Manyet, Pandora Contrast
A sketch for her new addition of a display style to the Pandora typefamily
 
Overview:
 
 
Process:
step 1: presentation of the initial ideas, comments, correctures, discussion, and forming of a final decision
step 2: vectorising, defining proportions & metrics
step 3: building a basic set of characters
step 4: individual lectures
nononononononono
step 5: designing secondary characters, diacritics etc...
step 6: repairing metrics and defining the kerning pairs
step 7: small text tests and additional correctures
step 8: designing the presentation posters (in Illustrator, grrrr...)
 
 
Spirit of the workhop:
Soča river, one of five european cleanest rivers runs through Trenta, nearby our school
I Wonder Where That Fish Did Go? Oh fishy, fishy, fishy, fish...
Surfing SLO!
Torah! Torah! Torah!
TypeClinic's
11th international type design workshop
will be organised 
from 30th August to 6th September 2015
in Triglav's national park,
Trenta, Slovenia
 
Our workshops deal with bodytext and display typefaces for print and digital usage. Participants of all levels of expertise come from all over the world: Austria, Australia, Croatia, Czech Republic, Germany, Finland, Israel, Italy, Poland, Serbia, Slovenia, South Africa, Spain, Romania, United Kingdom ... ... to work for a week in Trenta Valley, Slovenia.
The final products includes typefaces with 40 characters minimum, which are later displayed in B1 poster size.
Our participation fee is 330 Eur, which covers mentorship, sleeping and eating arrangement, prints...
 
If you are interested into participating at our 9th workshop, please send an e-mail to
tomato@tomatokosir.com.
 
Join us in Trenta!
A type family without a Normal
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